A seed-locked look stores the seed it was rendered from and the fx-parity manifest it was authored against, so the same look re-renders the same. The manifest is pinned across the full 29-effect catalog; frame parity is evidenced for about 20 effects so far.
Cut points sit on the BPM grid you set from your own DAW — deterministic timing, not auto-detected BPM guessing — so every cut can land inside the perceptual sync window.
Exports pass a photosensitive flash-safety check (WCAG 2.3.1) before baking: flash-risk effects cannot reach the export rail, so a render will not ship a flash hazard.
BeatVids is a BPM-aware music video maker for beat producers. You set the BPM, drop in clips, and your beat directs the cuts. The free demo is a full editor — no signup, no credit card, no account required to start.
No. Nothing is invented from your track: you set the BPM, every cut snaps to the BPM grid you set, and the cut grid is math, not a model roll — so the same arrangement always exports the same video.
The render itself does not. The export renders client-side, in your browser — no render queue, no waiting room — and the finished MP4 downloads straight from the export panel.
General-purpose editors leave the timing to your eyes and a drag handle. BeatVids is built for beats: every cut lands on the BPM grid you set from your own DAW, the timing is deterministic math, and the timeline follows sections and patterns in the music.
No. Free exports are clean — there is no watermark on the free tier.
Exports go up to 1080p on Pro and 720p on the free tier. 4K is not offered.
PSE-safe exports: every export passes a photosensitive flash-safety check (WCAG 2.3.1) before baking, so a render will not ship a flash hazard.
The editor is desktop-only. On mobile you can watch what BeatVids makes, but editing and exporting happen in a desktop browser.